Live at Carnegie Hall An Acoustic Evening (BRD)

http://www.renaud-bray.com

http://www.renaud-bray.com

*** Résumé en anglais seulement ***On January 21st and 22nd of 2016, world-renowned platinum-selling and Grammy nominated Blues-rock singer-songwriter and guitarist Joe Bonamassa performed two unique all-acoustic shows at the iconic Carnegie Hall in New York City. Both performances were filmed and made into Joe Bonamassa Live At Carnegie Hall – An Acoustic Evening. An evening of extraordinary music with new arrangements of favorite songs as well as brand new, never-before-heard songs. The video piece includes 104 minutes of feature film, over 45 minutes of bonus features and is housed in a beautifully designed Blu-Ray package that is perfect for a music lover’s collection. The concert was part of a special all-acoustic tour and featured an all-star ensemble of world-class musicians. Acclaimed Chinese cellist and erhuist Tina Guo, whose repertoire stretches from classical to heavy metal; and Hossam Ramzy, the Egyptian percussionist and composer, who has performed on dozens of film soundtracks and records, including on Jimmy Page and Robert Plant’s No Quarter: Unledded Tour. Reese Wynans (piano), Anton Fig (Drums) Eric Bazilian (mandolin, hurdy-gurdy, saxophone, acoustic guitar, vocals), and three Australian backing vocalists, Mahalia Barnes, Juanita Tippins, and Gary Pinto round out the band. ‘Despite being among the most ambitious things I’ve done – I played with a 9 piece acoustic band – It came out great. It was a typical Joe freak show.’ (Joe Bonamassa) Everyone knows the old saying about how to get to Carnegie Hall, but Bonamassa has truly lived that advice. His entire life and musical career had been practice for this moment, and a young blues-boy finally made good on a childhood dream of playing one of the most hallowed stages in the world.This stripped down, all-acoustic show allowed his fans a glimpse into his soul and presented a thrilling and musically dangerous spectacle akin to walking a tightrope without a net. ‘Reminiscent of Ry Cooder’s ‘70s experiments in blues, country and soul.’